88 2025 Based on acrylic painting & Quantum Blur provided by MOOTHLenticular print 120x160 cm
Drawing from the intersection of media systems, perception theory, and algorithmic culture, this series explores the invisible structures that shape both individual and collective cognition.
The paintings function as both visual meditations and speculative interfaces, questioning the nature of algorithms - both organic and those coded by the human hand.
Through repetition, layering, and pattern, paintings visualize resonance—between memory and matter, biology and code, imagination and machine.
Technology here is not an external tool but an extension of the natural world, subject to the same physical laws, and increasingly entwined with cognitive and spiritual experience.
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88.88
Based on acrylic painting & Quantum Blur provided by MOTH Quantum
3D print 100x100 cm
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The works begin as hand-painted canvases composed of intuitive infinity patterns. These analog pieces are then digitized and processed through custom quantum filters developed in collaboration with Moth Quantum, a partner working with experimental algorithms derived from quantum computing.
The resulting quantum-altered images are combined with the original paintings in the form of angular prints, creating a dual-layered visual experience. As the viewer shifts perspective, the two realities—organic and computational—interact, oscillate, and merge. The lenticular medium becomes both surface and portal, a material translation of the inquiry into consciousness, code, and resonance.
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888
Based on acrylic paintings
3D print 90x90 cm
888
Based on acrylic paintings
3D print 90x90 cm
888
Based on acrylic painting & Quantum Blur provided by MOTH Quantum
3D print 120x120 cm
Since early childhood, I've been instinctively drawn to a looping, infinity-like pattern—a form I would sketch endlessly before I even understood its meaning. Over time, I came to recognize it not just as a visual motif, but as a symbol of something much deeper: continuity, duality, and the unseen structures that connect all things.
It feels less like a choice and more like a code inscribed within me—something between memory and instinct, inherited rather than invented. This fixation is not decorative, but intuitive; the pattern emerges again and again as a quiet insistence, a personal archetype that bridges imagination, consciousness, and the invisible systems—biological, spiritual, technological—that shape our reality.
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