A MILESI


2025

Co-creating with Quantum Algorithm
In collaboration with Moth Quantum

888.888 - Based on acrylic painting & Quantum Blur provided by MOTH Quantum - 3D print 120x153 cm


Drawing from the intersection of spirituality and media technology, this series explores the invisible structures that shape both individual and collective perception. Rooted in psychological and philosophical frameworks, the paintings function as both visual meditations and speculative interfaces. They ask: can technology act not only as a medium, but as a receptor and transmitter for collective consciousness?

Through repetition, layering, and pattern, paintings visualize resonance—between memory and matter, biology and code, imagination and machine. Technology here is not an external tool but an extension of the natural world, subject to the same physical laws, and increasingly entwined with cognitive and spiritual experience.

88.88
Based on acrylic painting & Quantum Blur provided by MOTH Quantum
3D print 100x100 cm

The works begin as hand-painted canvases composed of intuitive infinity patterns. These analog pieces are then digitized and processed through custom quantum filters developed in collaboration with Moth Quantum, a partner working with experimental algorithms derived from quantum computing.

The resulting quantum-altered images are combined with the original paintings in the form of angular prints, creating a dual-layered visual experience. As the viewer shifts perspective, the two realities—organic and computational—interact, oscillate, and merge. The lenticular medium becomes both surface and portal, a material translation of the inquiry into consciousness, code, and resonance.

888
Based on acrylic paintings
3D print 90x90 cm

Since early childhood, I've been instinctively drawn to a looping, infinity-like pattern—a form I would sketch endlessly before I even understood its meaning. Over time, I came to recognize it not just as a visual motif, but as a symbol of something much deeper: continuity, duality, and the unseen structures that connect all things.

It feels less like a choice and more like a code inscribed within me—something between memory and instinct, inherited rather than invented. This fixation is not decorative, but intuitive; the pattern emerges again and again as a quiet insistence, a personal archetype that bridges imagination, consciousness, and the invisible systems—biological, spiritual, technological—that shape our reality.

888
Based on acrylic paintings
3D print 90x90 cm

888
Based on acrylic painting & Quantum Blur provided by MOTH Quantum
3D print 120x120 cm

Plexi

S


( In co-creation with the algorithm )

While searching for the true form and dimensions of this omnipresent entity, I explore ways to manifest its presence in the physical realm. By giving it a three-dimensional shape, I aim to enhance its sense of presence and personalise this abstract entity. Through the use of vivid colors, a combination of semi-transparent print on acrylic material, and layers of paint, my goal is to evoke the sensation of computer-generated art materialising into three-dimensional reality.