News
🗓️ December 2024 📍 Singapore
18.12 - 29.12 2024 exhibition at INSTINC SPACE
✨ It was a fulfilling way to conclude 2024 with the finale of my artistic residency at INSTINC SPACE in Singapore. Through an XR experience, I explored the intersection of technology, psychology, and art, inviting participants into an immersive dialogue. As my work stemmed from primary research, we examined together how algorithms shape our perceptions, guided by the conscious and unconscious symbols and archetypes that influence our interpretation of the world around us.
💭 Inviting participants to engage in a conversation about how algorithms mirror our behaviours and bring to the surface our beliefs, while reflecting on the psychology of symbols within the context of technology— and how it's shaping our understanding of identity, ourselves, and the world in ways we are still coming to grasp.
💡 The exhibition provided an opportunity to continue my primary research, gathering diverse perspectives on how people interact with technology. Beyond their role in data-driven decision-making, we explored how algorithms excel at creating curated serendipity, offering a sense of intention even in moments of randomness when data is limited.
🔗 I’m excited to continue exploring how technology and art intersect, sparking meaningful conversations about the role of algorithms in our lives.
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🗓️ February 2024 📍 Singapore
Co-hosting a session with Sish Yun Yeo for students from LASALLE College of the Arts at INSTINC SPACE, Singapore.
From arts to commerical consulting and back: about loops, cross-collaboration, learning through creation, action vs contemplation -> and the impact of over-intellectualisation on our process and communications. Sharing my thoughts on arts & design education across Poland, Portugal, Mexico, and Switzerland.
🗓️ 2018 📍 Geneva, Switzerland.
Commission Digital Point of Sale for COTY Aelia Duty Free
Interactive Point of Sale Experience for COTY – Aelia Duty Free (Auckland & São Paulo) | Brands: Marc Jacobs, Chloé, Calvin Klein, Hugo Boss, Gucci. In collaboration with AlphaQ Digital.
We created a digital point of sale experience that reached beyond the screen—detecting passersby from a distance, triggering synchronized calls to action, and delivering gender-specific product messaging. The result: an average interaction time of 94 seconds.
🗓️ 2017 📍 Geneva, Switzerland.
Landing on Razzle - Espace Hippomène, HEAD Geneva
From the British slang, Razzle means to go out, celebrating with friends. But Razzle can also refer to the “razzle dazzle” or “dazzle painting”, a camouflage made by a complex pattern of geometric shapes in contrasting colours. Landing on Razzle is an event machine, a space inspired by natural habitat converted into simplified geometry, a structure able to contain and become an event by itself.
🗓️ 2016 📍 Florac, France.
In collaboration with Blance Lefrage, under the guidance of Matali Crasset & HEAD Geneva.
EarthSpeak is an installation that harnesses the art of ceramics to create communication instruments. This project seeks to reestablish our deep connection with the natural world by using ceramic forms as interactive devices.
🗓️ 2015 📍 Mexico
Artistic Residency
Instituto Nacional de Bellas Artes y Literatura
Artistic Residency granted by Mexican Ministry of Foregin Affairs
Growing up in Poland, where the religious landscape is dominated by a rigid and conservative form of Catholicism, I was shocked upon arriving in Mexico. There, I encountered a vibrant and omnipresent world of religious icons and symbols, freely used and adapted to individual preferences and needs. I was mesmerized by the overlap of cultures and beliefs, which gave rise to a rich, visually dynamic tradition.
Inspired by this, I began collecting meaningful objects and creating my own—blending locally found treasures with my personal artistic expression. This became my way of exploring how our perception of an object’s value can give it the power to influence our daily lives, our sense of belonging, safety, and purpose.
The video tells the story of an elderly woman, a gatekeeper of meaningful objects, a street vendor, and the Virgen de Guadalupe. It serves as a metaphor for religious archetypes—found not only in sacred objects but also in the people we encounter in our everyday lives.
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🗓️ 2015 📍 Nevado de Toluca, Mexico
Colaboration SolAqua: Tierra Agua Arie Fuego
Direction: Salvador Guerrero
Photography: Joaquin del Paso
Aiming to create an immersive environment that embodied the four elements—Earth, Water, Air, and Fire—through organic textures, flowing fabrics, dynamic lighting, and natural materials, the production design emphasized harmony between humans and nature, incorporating symbolic representations of each element to enhance the ritualistic and ancestral themes present in both the music and visuals.
See on YouTube
🗓️ 2015 📍 Mexico City & Morelia
Artistic Residency
Universidad Nacional Autónoma de México
Artistic Residency granted by Mexican Ministry of Foregin Affairs, under the guidance of Tania de Leon.
Exhibition 30 Oct - 1 Nov 2013 Retrato Del Animado Exhibition Radio UNAM
I experimented with medium ecology, deconstructing and dissecting the creative process while exploring the multifaceted nature of human portraits. From drawing hundreds of portraits of a single person to create one animated portrait—only to then take it apart again—I engaged with the local community by giving away original pieces. This project examined the dynamic interplay between individuals, their environments, and their inner worlds.
Each drawing carried my email address, and I received responses from several new owners. Some took the drawings and placed them in different cities or even countries, allowing the artwork to continue its journey beyond my hands. It was a fascinating experiment—watching how these drawings traveled the world, evolving and finding new meaning along the way.
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🗓️ 2013 📍 Łódź, Poland.
Collaboration: Don Kichot Ludwig A. Minkus spectacle
The Great Theatre Lodz.
At the Great Theatre in Łódź, all elements of an opera production are created and coordinated within the theater's internal workshops and resources. The building houses a factory, historical archives, and a dedicated team working together to bring the opera spectacle to life. I was honored to be part of this large-scale endeavor as a member of the production department, overseeing the execution of various elements and facilitating communication across the production teams.
🗓️ 2013 📍Lisbon, Portugal.
Burning Papers
International Student Exchange Programm
Faculdade de Belas-Artes da Universidade de Lisboa
Under the guidance of José Pedro Cavalheiro
Portraiture and primary research have always been central to my creative process. While fascinated by the art of portraiture, I struggled to capture a person’s essence in a single piece. Conversations with my subjects revealed layers of personalities within them, making it impossible to define them in just one image.
To explore this complexity, I created hundreds of portraits of the same person and combined them into a single animated video, deconstructing and reassembling their identity through art. As the finale of my process, I then deconstructed it once again—turning it into a street performance where I gave away my drawings to the local collective.
🗓️ 2012 📍Łódź, Poland.
Set Design Workshop PWSFTViT
Set Design Workshop by Ewa Braun, Polish National Film School.
Traveling back in time by recreating environments, objects, and textures from 1930s and 1970s Poland, we constructed 14 film sets within an atelier space. These carefully designed settings shaped not only the visual narrative but also the emotions and atmosphere within them, influencing how both actors and audiences experience the story. Brought to life through engaging storytelling, performances, and lighting, the sets became immersive portals to the past.
🗓️ 2012 📍 Łódź, Poland.
Collaboration: Scenic sculpting.
Twelfth Night, Teatr Nowy w Łodzi. Direction: Katarzyna Raduszyńska.
The scenography balanced period-inspired aesthetics with contemporary, almost absurdist touches, blurring the line between tradition and modern reinterpretation. This ever-changing stage became an active participant in the performance, enhancing the playful yet melancholic tone of the production.
🗓️ 2012 📍 Łódź, Poland.
Collaboration: Magic Carpet by Suzanne Morlock
At the invitation of the Central Museum of Textiles in Lodz Poland, Morlock undertook the creation of a 60' textile from recycled newspaper. The work, ‘Magic Carpet Ride’ flew through the gallery for four months and then was recycled once again.
🗓️ 2012 📍 Łódź, Poland.
'The Neighbor'
Academy of Fine Arts Łódź, Poland. Doll Design and Animation Studio Course – led by Marek Skrobecki.
My journey began in post-communist Poland, in the city of Łódź. I grew up in a building that had once been a hospital before the Second World War, right in the city center. The landscape around me was raw and gray — years of communism had enforced a hermetic, closed atmosphere. The wall had fallen, but Poland still felt confined within four walls. I wanted to capture that fleeting moment in history — to explore how the individual found themselves within it, suspended between two realities.
I wanted to capture that fleeting moment in history—to explore how the individual found themselves within it, suspended between two realities. To do that, I portrayed my neighbor, an older woman, uncertain whether she lives in the past or the future.